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With its out-of-tune strings, its fishy-sounding ocarinas, it joins galactic mystery to a childlike quality, notably in the second movement, which Tetzlaff began with naive simplicity, trawling a weary melody out of some distant century. Christine Brewer is a great Isolde, and Christian Franz, the Tristan, is an artist of taste and dramatic force, with a mettlesome heroic tenor. Brewer’s limitless flow...